Hello Nancy · New York

What we made, and what happens next.

A look back at the first round of edits — what is working, a few things to change, and how to find the next hook.

Editor session
Before anything else

Watch these four back.

New York gave us the strongest material we have had. Before we say anything, we want to hear from you first — what would you change, and what do you think worked?

What would you change? What works? Why that clip? Does the text match the footage?
Feedback

Where each of you is at

Jodi
Working
  • A good instinct for hooks. She thinks about them properly.
  • “A little Nancy moment in NYC” and “Do you think we can bring our own tennis balls to the US Open?” — both land, and both match the footage.
  • Cuts sit on the beat, and they are not repeated.
  • Asks for feedback. Keep doing that.
To fix
  • Hooks are set in Fraunces. Text hooks use the basic font. Save Fraunces and PP Editorial for event highlight titles.
Remo Internal
Working
  • Knows Nancy best. Longest with us, and it shows in the work.
  • Event highlights are genuinely good.
  • Adaptive — picked up Hot or Cold, the templates, sound effects, the cuts and the beats quickly.
  • Takes direction well. The work is improving over time.
To fix
  • Flag it rather than work around it. If an asset is not colour graded, say so before using it — “this one is not graded yet, I will start on these instead.”
  • Caption writing, and finding text hooks.
Mark
Working
  • Edits on the beat.
  • Trying to work out how to use hooks.
  • Receptive. Revises, keeps things organised, checks in.
To fix
  • Hooks that do not match the footage. A checkout with no checkout. A fan with no fan.
  • The same clip reused. The box being carried turns up across about five pieces.
  • Everyday words censored. “Spot” does not need an asterisk.
Overall

Crystal and Susan’s feedback

01

Sound effects, balanced

We are using them, which is good. Now the levels. Enough to make the video interesting, never enough to sit on top of it — they belong behind the edit, not in front of it.

02

Use more of the footage

There is a lot from 28 to 30 August nobody has touched. Be holistic about it — go through the whole folder before deciding what to cut.

03

Stickers, images, props

Adding clothing or props onto the interviewer worked really well — more of that. Stickers and images make an interview fun rather than flat.

04

Be mindful of colour correction

Some clips come in needing a grade. Notice it before you build the edit around it and raise it — a finished piece cut from ungraded footage is a re-do.

05

Work to a target

Each batch should have a goal, not just a count. Decide what a day of footage is for before you start cutting it.

Five really good pieces beat fifteen rushed ones.
Fonts

Three fonts. One of them does most of the work.

We all stay on the same fonts, so the grid does not read as four different editors.

Default
Helvetica

Text hooks, memes, street interviews, captions — all Helvetica. As close to Instagram’s own font as possible. Clean and uniform beats decorated.

Event highlight titles
Fraunces · PP Editorial

Only on event highlight titles — “A little Nancy moment in NYC” is one. Around 20px. Not on memes, street interviews or text hooks.

The exception
When a look is requested

If Susan asks for a specific font or a current vibe, that wins. Google it, use Google Images to match it, replicate the treatment. Case by case.

Choosing clips

Watch it all before you cut any of it.

01

Go through the whole day

The strongest moments are being missed because the folder was never watched to the end.

02

Do not reuse a clip

If it has already been used, find another one. The same shot with a new caption is not a new post.

03

Five strong beats ten filler

We would rather have fewer edits that were each chosen on purpose.

04

Some clips just need a straight cut

Short and direct works. Not everything needs building.

Music

Keep it simple, and keep it safe.

01

Avoid very popular pop songs

Sounds, instrumentals, or a section of a track where the vocal is not carrying it.

02

If you want a pop song, check first

Tag Rahul or look into it before you build the edit around it. A claim lands after the work is done.

The one that saves everyone time

If you are unsure, ask before you cut.

Already happening

  • Jodi asking for feedback
  • Mark checking in on revisions
  • That is the behaviour. More of it.

Why we cannot give it all upfront

  • We are working the approach out as we go
  • It gets clearer from what you ask
  • So ask when something is unclear — that is where it starts

The patterns come with time — what works, what does not. But they come after the questions, not instead of them.

Last thing

CapCut settings

Everyone works from the same settings so the output is consistent. Screenshots to follow, and we will walk through them on the call.

Settings screenshots go here

Fonts, sizes, caption style, sound effects folder

Where the next hook comes from

How to spot an outlier

An outlier is a post that beat its own account’s normal by a wide margin. Not the biggest account — the biggest gap. That gap is what tells you the idea did the work, which means it can be copied.

1

Something stops you

Loads of comments, or copy that is genuinely good.

2

Tap the account

The number means nothing until you know their normal.

3

Scroll their last 30 days

Just look at the view counts. No maths, no tools.

Not an outlier

Everything they post does this. The account did the work.

Outlier

Obviously higher than the rest. Take the hook shape and fit it to our footage.

If you have to squint to tell, it is a no.
NY editor feedback 1 / 7